Player Name: Michelle Personal Journal:xehanoot E-mail: sweetstacking@gmail.com AIM/Plurk/Etc.:sweetstacks Timezone: Pacific Current Characters in Route: Aqua
Character Name: Hans of the Southern Isles Series: Frozen Timeline: End of the movie Canon Resource Links:look at that smug jerk
Personality: Hans is charming, polite, and chivalrous. He listens well and takes genuine interest in whomever he's speaking to. More often than not, people take to Hans very easily--it's part of his easygoing charm and likability. Hans is good with people above all else. He appeals to them and makes them feel wanted and loved.
Hans is an amiable kind of guy, above all else. When he meets Anna, he acts the perfect gentleman, considerate and kind and a good listener. He's easy to get along with--his interests coincide with the interests of those he meets. Hans is accepting; when he meets Anna, he's willing to go along with her silly plans (sock sliding, for example). What Hans is incredibly talented at is adapting, too. Because Hans acts how he believes people will be most receptive to him, he's masterful at switching between personas. For the romantic Anna, he acts like a sweet, charming dork. For those who see him as a leader, he's unshakable in his resolve, stern, the perfect leader. Toward Elsa--who's closed-off and unsure of her interactions with others, he's warm and understanding. After all, Hans is excellent at reading people: He mirrors what they want to see, in order to gain their trust--a lesson taught to him by his father. This results in their doing just that: putting their trust in him (aside from Elsa).
He's trustworthy; therefore, people depend and rely on him. Hans shows the traits of an excellent leader. When Arendelle is in trouble, he rises to the occasion and ensures that everyone has warmth, food, and drink. Similarly, when he gives an order, people follow. Even when the prospect of danger is very much real, and Hans needs people to find Anna, they willingly step forward. This is also probably due to the fact that Anna is so loved, and Hans seems genuinely in love with her, too. That he has such a deep, strong relationship with Anna only benefits him, and makes him seem more trustworthy. It's likely because Hans connects to Anna so quickly and thoroughly that he comes off as a romantic--it helps Anna relate to him and feel a more intimate connection to him.
And Hans sincerely is in love with Anna. He enjoys his time at the coronation with her, and seems a kindred spirit to Anna. After all, he's been neglected by his own twelve brothers all of his life. He knows what it's likely to be lonely, and so he relates to Anna deeply. In Anna, Hans finds someone who truly does care about him, who teaches him how to let loose and have fun. And maybe it's because Anna draws out a new side of him that makes him seem so impulsive. He does ask Anna to marry him the evening they meet, but he's nothing less than absolutely secure and confident in his decision to ask her hand in marriage. Anna's own spontaneity rubs off on him, and she gets him to open up. She gets him to learn new things about himself.
But Hans's insecurity, originally placed there by his family's treatment of him, comes through once he meets Elsa. It's obvious that he's bothered by the fact that Elsa refuses to give the two her blessing. Hans is dismayed when Elsa hears news of their engagement. While Elsa makes it clear that her answer is absolute, Hans, in his desperation, tries to plead with her--but she shoots him down. Hans is mostly resigned, at this point--but still, desperate to get the blessing to marry the woman he loves, Hans tries to put Elsa at ease. He knows Elsa cares deeply about Anna--and he does his best to show that he feels the same, too. It's obvious that Hans really does care about Anna, after all. He's willing to go out of his way to help her. When he hears Anna's gone missing, he's very clearly concerned about her. Hans rallies the people to go find her; he's willing to brave the snow and ice to make sure she's safe and alive. Hans relates to Anna, in the end, and he feels a connection to her that he's not found elsewhere.
Of course, that's on the surface.
In reality, Hans is a narcissist, and extremely cold and calculating. Hans's goal, above all else, is to "find his own place"--that place being a kingdom of his own to rule. It's for this reason he travels to Arendelle, and the reason he charms his way into Princess Anna's heart. He appeals to her lonely nature; he promises her that he'll be there for her. Hans knows how people tick--he figures Anna out fairly quickly, and he preys on her insecurities. Hans knows he can get away with it, too, because he's so charming. It's that mask which allows him to freely manipulate people--they won't expect someone as kind and noble as Hans to betray them, so it's a non-issue.
Not so. Hans's major talent is manipulation. He has no qualms about hurting people, as long as he gets what he wants. In a matter of one short evening, he has Anna wrapped around his finger; he proposes to her, and because he's been so open and kind to her, she accepts immediately. Hans convinces her that what they have is true love, that he cares for Anna; but really, he cares only about himself. Hans has no problems lying or deceiving, even to the most unsuspecting people. His mastery of lying and manipulation make him a dangerous villain--if only because he seems so unassuming.
And that's another facet of his personality worth mentioning: He's good at making people feel wanted. Hans reads people as easily as he lies, so it allows him to get into their heads. Even the most innocent people can get ensnared in Hans's web of lies and manipulation. Of course, when someone seems to not trust him, they've immediately solidified Hans's dislike for them. And Hans believes that--that anything he does is not actually his fault. Hans doesn't take lightly to people distrusting him. For example, when Elsa expresses discomfort in regards to his and Anna's marriage, he's obviously bothered. (This may or may not have any bearing on his later plans to kill her...)
But as much as Hans lies and manipulates, he claims to dislike violence. It's not something that he respects; rather, he prefers cunning and brains over shows of brute strength. This results in his being a quick thinker and master planner. And Hans shows incredible restraint when it comes to his plans. He hides his glee over being told that Arendelle depends on him after Anna's "death." He even manages to cry--even if it takes him destroying the inside of his cheek to do so. Hans prefers to have options. To him, murder is messy, and it results in an incredible lack of options later. But even with his dislike of violence, when Hans has no other choice, he'll certainly resort to it--Hans doesn't want to look weak, after all, especially after making such an intense declaration: The queen must be killed.
Like said previously, Hans is a master liar and manipulator, but he also wields very high intellect. Hans's plan to take over Arendelle is not without its hiccups, but Hans adapts--such as when he meets Anna and not Elsa, when Elsa suddenly runs away, and when Anna is seemingly dead at her sister's hands. Hans is able to improvise on the fly, and his lies even then are no less impressive--he keeps a calm exterior, even when he's most annoyed. Hans knows how people work; therefore, he's able to get under their skin. He pulls no punches when he confronts Elsa on the frozen fjord. Without hesitation, he proclaims that her sister is dead and takes the opportunity to attempt to murder Elsa. Even though Hans does not feel remorse or true love for anyone, he still understands others' emotions--it's how he forges a seemingly strong, if shallow, bond with Anna. While Hans lacks any sort of empathy whatsoever, he's still able to act. He truly convinces everyone that he is genuinely remorseful and broken up about Anna's "death." He uses his image to his advantage: He states something along the lines that, since he's been pretending to be the doting fiancé, it's easy to pretend he's legitimately devastated.
Above all else, Hans does value intellect. He abhors feeling like a fool; when he confronts Oaken and is unable to retrieve an answer, he starts to feel angry. Angry, because he's not able to use his intellect as masterfully as he'd like, and because Oaken plain just won't cooperate with him. Hans hates being sidetracked in anything; his plans are incredibly important (to him) and anything else is just a distraction. And Hans uses his intellect to manipulate, too. "The more I know," Hans states in the novel, "the easier it is to manipulate." Hans himself is a sort of businessman: He tells people what they want to hear, gives them what they want--if only to benefit himself. He's willing to even pay a hefty amount of money in order to get what he wants. The slightest resistance--such as when he suspects Kristoff is trying to win over Anna and the throne--immediately draws his ire. But Hans eventually cools his head--and focuses on his plans.
So Hans is also a opportunist. The novel A Frozen Heart delves deeper into Hans's background and personality. Hans appeals to his father through a combination of sucking up and doing anything he's told to; something he absolutely hates. Yet Hans soldiers on, because his goal is more important than his pride. Of course, Hans is not without his pride. He believes he deserves the best, and he resents anyone who thinks otherwise--this is his narcissism at play, and he proclaims himself a "hero," even, when he betrays Anna. Hans also feels an immense amount of pride when the people of Arendelle express that they can count only on him--that he's their only hope. Because Hans is such an opportunist, he'll tackle any obstacle that comes his way--he himself states that he "didn't have a chance" to acquire a throne of his own without marrying someone. Strengths/Weaknesses: + MANIPULATION: When Hans sees something or someone he can use, he manipulates the crap out of them. He's a puppetmaster in the truest sense; because Hans knows how people work, he uses that to his advantage. + COOLNESS: Hans can keep his composure pretty well. Even when Anna drags him around at the party, he still manages to stay calm--and act. + CHARISMA: Hans is outwardly a charismatic guy; he does his best to appeal to those he believes he can use. It usually works. + PEOPLE SKILLS: As a prince, Hans is good with people. He knows how they work, and he reads them very easily. + ACTING: Hans manages to act the part of a perfect, noble prince. He wins over Anna and the people of Arendelle easily, by putting up an amiable front.
+/- AMBITIOUS: Both a positive and a negative; while his ambition is impressive (since he went so long without his true goal coming out) it also leads to his downfall. His ambition is probably the root of all his problems: Hans wants to be recognized, Hans wants everything that rightfully belongs to him. ... Or, so he thinks. +/- RELUCTANT TO ENGAGE IN VIOLENCE: Hans values intelligence more than brute force; therefore, he avoids violence unless absolutely necessary. He prefers to have a "way out" in order to benefit himself, and he's unsure about taking lives except when it's absolutely necessary. Of course, because he's reluctant to engage in violence, that's probably why he leaves Anna to die instead of finishing the job himself. That leads to her sacrifice, and Hans's failure.
- JERK: Hans has few truly redeeming qualities. From the start, he lies and manipulates just so he can claim a throne that does not belong to him. As such, this results in his having an utter lack of remorse and empathy. Hans doesn't care what must be done, as long as he gets what he wants. - CAN'T TAKE A PUNCH: Hans is only human, of course; he can be felled with a single punch. - NARCISSISM: There is one person that Hans truly loves: himself. Hans believes he deserves the best, and if anyone stands in his way, he's willing to take them down. Also, because Hans believes there is no one more clever than he, no one will be able to thwart his plans--especially if they rely on something like love. - INSECURITY: Because Hans is essentially a punching bag for his brothers, he withdraws when he's around them. Hans becomes quieter, doesn't make biting remarks. Hans endures a lot of abuse from both his brothers and father--he doesn't believe it's worth it to make a fuss and suffer possibly worse consequences. Hans is bitter and lonely as a result of his brothers' treating him like the dirt on the bottoms of their boots. He also knows that his brothers and father do not think much of him: When Hans is ready to propose the idea for him to travel to Arendelle, he's nervous. Finally, Hans truly feels out of place--even at home, which contributes a lot to his general insecurity. - IMPATIENCE: The few times Hans's plans don't go how he wants, his temper gets the best of him. He easily becomes frustrated--and he hates when people don't follow his orders. It's the easiest way to get on his nerves. Similarly, when Hans thinks he's got the situation all figured out and everything can work in his favor, he tends to get a little careless. He's convinced that Anna will end up dying--but he leaves before he can actually confirm that she's dead. Rather, he chooses to gloat about her foolishness and how clever he had been. - INABILITY TO CONNECT: Out of all his brothers, there is a single one that doesn't hate him. Lars is willing to speak with him as a brother actually should, but instead of embracing this, Hans sees it only as an annoyance--it doesn't benefit him to listen to Lars's "rants." - PLANS/MOTIVATION: Hans tends to make plans that are too big for him to handle--such as trying singlehandedly to claim Arendelle's throne for his own. Unfortunately, the scope of his goal is too big, and even though he's really good at planning, things ultimately blow up in his face. Similarly, because Hans craves attention and "his own place," once it's within his sights he ends up being more careless than anything. It's this carelessness that, in the end, proves to be his downfall. - LACK OF EMPATHY: Because Hans does not have a bond like that of Anna and Elsa's, he's really incapable of understanding it completely. In what seem to be her final moments, Hans mocks Anna and her attempt to find Elsa; he considers Anna's love for her sister to be a weakness. Hans effectively jabs at Anna in ways he know will truly and completely hurt her. Hans doesn't understand love, after all; A Frozen Heart very frequently emphasizes the fact that Hans doesn't believe in it--he's in constant disbelief that his brother Runo could actually have a wife that truly loves him.
Pokémon Information Affiliation: Trainer Starter: Smoochum Password: Peppermint Bark
hans | frozen | not reserved
Name: Michelle
Personal Journal:
E-mail: sweetstacking@gmail.com
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Timezone: Pacific
Current Characters in Route: Aqua
Character
Name: Hans of the Southern Isles
Series: Frozen
Timeline: End of the movie
Canon Resource Links: look at that smug jerk
Personality: Hans is charming, polite, and chivalrous. He listens well and takes genuine interest in whomever he's speaking to. More often than not, people take to Hans very easily--it's part of his easygoing charm and likability. Hans is good with people above all else. He appeals to them and makes them feel wanted and loved.
Hans is an amiable kind of guy, above all else. When he meets Anna, he acts the perfect gentleman, considerate and kind and a good listener. He's easy to get along with--his interests coincide with the interests of those he meets. Hans is accepting; when he meets Anna, he's willing to go along with her silly plans (sock sliding, for example). What Hans is incredibly talented at is adapting, too. Because Hans acts how he believes people will be most receptive to him, he's masterful at switching between personas. For the romantic Anna, he acts like a sweet, charming dork. For those who see him as a leader, he's unshakable in his resolve, stern, the perfect leader. Toward Elsa--who's closed-off and unsure of her interactions with others, he's warm and understanding. After all, Hans is excellent at reading people: He mirrors what they want to see, in order to gain their trust--a lesson taught to him by his father. This results in their doing just that: putting their trust in him (aside from Elsa).
He's trustworthy; therefore, people depend and rely on him. Hans shows the traits of an excellent leader. When Arendelle is in trouble, he rises to the occasion and ensures that everyone has warmth, food, and drink. Similarly, when he gives an order, people follow. Even when the prospect of danger is very much real, and Hans needs people to find Anna, they willingly step forward. This is also probably due to the fact that Anna is so loved, and Hans seems genuinely in love with her, too. That he has such a deep, strong relationship with Anna only benefits him, and makes him seem more trustworthy. It's likely because Hans connects to Anna so quickly and thoroughly that he comes off as a romantic--it helps Anna relate to him and feel a more intimate connection to him.
And Hans sincerely is in love with Anna. He enjoys his time at the coronation with her, and seems a kindred spirit to Anna. After all, he's been neglected by his own twelve brothers all of his life. He knows what it's likely to be lonely, and so he relates to Anna deeply. In Anna, Hans finds someone who truly does care about him, who teaches him how to let loose and have fun. And maybe it's because Anna draws out a new side of him that makes him seem so impulsive. He does ask Anna to marry him the evening they meet, but he's nothing less than absolutely secure and confident in his decision to ask her hand in marriage. Anna's own spontaneity rubs off on him, and she gets him to open up. She gets him to learn new things about himself.
But Hans's insecurity, originally placed there by his family's treatment of him, comes through once he meets Elsa. It's obvious that he's bothered by the fact that Elsa refuses to give the two her blessing. Hans is dismayed when Elsa hears news of their engagement. While Elsa makes it clear that her answer is absolute, Hans, in his desperation, tries to plead with her--but she shoots him down. Hans is mostly resigned, at this point--but still, desperate to get the blessing to marry the woman he loves, Hans tries to put Elsa at ease. He knows Elsa cares deeply about Anna--and he does his best to show that he feels the same, too. It's obvious that Hans really does care about Anna, after all. He's willing to go out of his way to help her. When he hears Anna's gone missing, he's very clearly concerned about her. Hans rallies the people to go find her; he's willing to brave the snow and ice to make sure she's safe and alive. Hans relates to Anna, in the end, and he feels a connection to her that he's not found elsewhere.
Of course, that's on the surface.
In reality, Hans is a narcissist, and extremely cold and calculating. Hans's goal, above all else, is to "find his own place"--that place being a kingdom of his own to rule. It's for this reason he travels to Arendelle, and the reason he charms his way into Princess Anna's heart. He appeals to her lonely nature; he promises her that he'll be there for her. Hans knows how people tick--he figures Anna out fairly quickly, and he preys on her insecurities. Hans knows he can get away with it, too, because he's so charming. It's that mask which allows him to freely manipulate people--they won't expect someone as kind and noble as Hans to betray them, so it's a non-issue.
Not so. Hans's major talent is manipulation. He has no qualms about hurting people, as long as he gets what he wants. In a matter of one short evening, he has Anna wrapped around his finger; he proposes to her, and because he's been so open and kind to her, she accepts immediately. Hans convinces her that what they have is true love, that he cares for Anna; but really, he cares only about himself. Hans has no problems lying or deceiving, even to the most unsuspecting people. His mastery of lying and manipulation make him a dangerous villain--if only because he seems so unassuming.
And that's another facet of his personality worth mentioning: He's good at making people feel wanted. Hans reads people as easily as he lies, so it allows him to get into their heads. Even the most innocent people can get ensnared in Hans's web of lies and manipulation. Of course, when someone seems to not trust him, they've immediately solidified Hans's dislike for them. And Hans believes that--that anything he does is not actually his fault. Hans doesn't take lightly to people distrusting him. For example, when Elsa expresses discomfort in regards to his and Anna's marriage, he's obviously bothered. (This may or may not have any bearing on his later plans to kill her...)
But as much as Hans lies and manipulates, he claims to dislike violence. It's not something that he respects; rather, he prefers cunning and brains over shows of brute strength. This results in his being a quick thinker and master planner. And Hans shows incredible restraint when it comes to his plans. He hides his glee over being told that Arendelle depends on him after Anna's "death." He even manages to cry--even if it takes him destroying the inside of his cheek to do so. Hans prefers to have options. To him, murder is messy, and it results in an incredible lack of options later. But even with his dislike of violence, when Hans has no other choice, he'll certainly resort to it--Hans doesn't want to look weak, after all, especially after making such an intense declaration: The queen must be killed.
Like said previously, Hans is a master liar and manipulator, but he also wields very high intellect. Hans's plan to take over Arendelle is not without its hiccups, but Hans adapts--such as when he meets Anna and not Elsa, when Elsa suddenly runs away, and when Anna is seemingly dead at her sister's hands. Hans is able to improvise on the fly, and his lies even then are no less impressive--he keeps a calm exterior, even when he's most annoyed. Hans knows how people work; therefore, he's able to get under their skin. He pulls no punches when he confronts Elsa on the frozen fjord. Without hesitation, he proclaims that her sister is dead and takes the opportunity to attempt to murder Elsa. Even though Hans does not feel remorse or true love for anyone, he still understands others' emotions--it's how he forges a seemingly strong, if shallow, bond with Anna. While Hans lacks any sort of empathy whatsoever, he's still able to act. He truly convinces everyone that he is genuinely remorseful and broken up about Anna's "death." He uses his image to his advantage: He states something along the lines that, since he's been pretending to be the doting fiancé, it's easy to pretend he's legitimately devastated.
Above all else, Hans does value intellect. He abhors feeling like a fool; when he confronts Oaken and is unable to retrieve an answer, he starts to feel angry. Angry, because he's not able to use his intellect as masterfully as he'd like, and because Oaken plain just won't cooperate with him. Hans hates being sidetracked in anything; his plans are incredibly important (to him) and anything else is just a distraction. And Hans uses his intellect to manipulate, too. "The more I know," Hans states in the novel, "the easier it is to manipulate." Hans himself is a sort of businessman: He tells people what they want to hear, gives them what they want--if only to benefit himself. He's willing to even pay a hefty amount of money in order to get what he wants. The slightest resistance--such as when he suspects Kristoff is trying to win over Anna and the throne--immediately draws his ire. But Hans eventually cools his head--and focuses on his plans.
So Hans is also a opportunist. The novel A Frozen Heart delves deeper into Hans's background and personality. Hans appeals to his father through a combination of sucking up and doing anything he's told to; something he absolutely hates. Yet Hans soldiers on, because his goal is more important than his pride. Of course, Hans is not without his pride. He believes he deserves the best, and he resents anyone who thinks otherwise--this is his narcissism at play, and he proclaims himself a "hero," even, when he betrays Anna. Hans also feels an immense amount of pride when the people of Arendelle express that they can count only on him--that he's their only hope. Because Hans is such an opportunist, he'll tackle any obstacle that comes his way--he himself states that he "didn't have a chance" to acquire a throne of his own without marrying someone.
Strengths/Weaknesses:
+ MANIPULATION: When Hans sees something or someone he can use, he manipulates the crap out of them. He's a puppetmaster in the truest sense; because Hans knows how people work, he uses that to his advantage.
+ COOLNESS: Hans can keep his composure pretty well. Even when Anna drags him around at the party, he still manages to stay calm--and act.
+ CHARISMA: Hans is outwardly a charismatic guy; he does his best to appeal to those he believes he can use. It usually works.
+ PEOPLE SKILLS: As a prince, Hans is good with people. He knows how they work, and he reads them very easily.
+ ACTING: Hans manages to act the part of a perfect, noble prince. He wins over Anna and the people of Arendelle easily, by putting up an amiable front.
+/- AMBITIOUS: Both a positive and a negative; while his ambition is impressive (since he went so long without his true goal coming out) it also leads to his downfall. His ambition is probably the root of all his problems: Hans wants to be recognized, Hans wants everything that rightfully belongs to him. ... Or, so he thinks.
+/- RELUCTANT TO ENGAGE IN VIOLENCE: Hans values intelligence more than brute force; therefore, he avoids violence unless absolutely necessary. He prefers to have a "way out" in order to benefit himself, and he's unsure about taking lives except when it's absolutely necessary. Of course, because he's reluctant to engage in violence, that's probably why he leaves Anna to die instead of finishing the job himself. That leads to her sacrifice, and Hans's failure.
- JERK: Hans has few truly redeeming qualities. From the start, he lies and manipulates just so he can claim a throne that does not belong to him. As such, this results in his having an utter lack of remorse and empathy. Hans doesn't care what must be done, as long as he gets what he wants.
- CAN'T TAKE A PUNCH: Hans is only human, of course; he can be felled with a single punch.
- NARCISSISM: There is one person that Hans truly loves: himself. Hans believes he deserves the best, and if anyone stands in his way, he's willing to take them down. Also, because Hans believes there is no one more clever than he, no one will be able to thwart his plans--especially if they rely on something like love.
- INSECURITY: Because Hans is essentially a punching bag for his brothers, he withdraws when he's around them. Hans becomes quieter, doesn't make biting remarks. Hans endures a lot of abuse from both his brothers and father--he doesn't believe it's worth it to make a fuss and suffer possibly worse consequences. Hans is bitter and lonely as a result of his brothers' treating him like the dirt on the bottoms of their boots. He also knows that his brothers and father do not think much of him: When Hans is ready to propose the idea for him to travel to Arendelle, he's nervous. Finally, Hans truly feels out of place--even at home, which contributes a lot to his general insecurity.
- IMPATIENCE: The few times Hans's plans don't go how he wants, his temper gets the best of him. He easily becomes frustrated--and he hates when people don't follow his orders. It's the easiest way to get on his nerves. Similarly, when Hans thinks he's got the situation all figured out and everything can work in his favor, he tends to get a little careless. He's convinced that Anna will end up dying--but he leaves before he can actually confirm that she's dead. Rather, he chooses to gloat about her foolishness and how clever he had been.
- INABILITY TO CONNECT: Out of all his brothers, there is a single one that doesn't hate him. Lars is willing to speak with him as a brother actually should, but instead of embracing this, Hans sees it only as an annoyance--it doesn't benefit him to listen to Lars's "rants."
- PLANS/MOTIVATION: Hans tends to make plans that are too big for him to handle--such as trying singlehandedly to claim Arendelle's throne for his own. Unfortunately, the scope of his goal is too big, and even though he's really good at planning, things ultimately blow up in his face. Similarly, because Hans craves attention and "his own place," once it's within his sights he ends up being more careless than anything. It's this carelessness that, in the end, proves to be his downfall.
- LACK OF EMPATHY: Because Hans does not have a bond like that of Anna and Elsa's, he's really incapable of understanding it completely. In what seem to be her final moments, Hans mocks Anna and her attempt to find Elsa; he considers Anna's love for her sister to be a weakness. Hans effectively jabs at Anna in ways he know will truly and completely hurt her. Hans doesn't understand love, after all; A Frozen Heart very frequently emphasizes the fact that Hans doesn't believe in it--he's in constant disbelief that his brother Runo could actually have a wife that truly loves him.
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Starter: Smoochum
Password: Peppermint Bark